June 3, 2026
‘Maspalomas’ Wins Top Prize at Sonoma Film Festival


The 29th Sonoma Intl. Film Festival wrapped March 29 with Spanish film โ€œMaspalomasโ€ winning the Grand Jury Award for best narrative feature. In a statement, the jury noted that directors Aitor Arregi and Jose Mari Goenagaโ€™s film was โ€œan authentic and rare depiction of an elder man confronting personal and physical crisis at the onset of the COVID pandemicโ€ in this โ€œnuanced and moving queer drama.โ€

Over five days, SIFF presented 104 films from 37 countries, mixed with filmmaker talks, panels (with guests including Barry Jenkins and Lulu Wang) and culinary pop-ups in the picturesque Northern California town. Filmmaker and artist Julian Schnabel was on hand to accept the Sonoma Intl. Film Festival Visionary Artist Award with a screening of his film โ€œIn the Hand of Dante,โ€ with special guest Tom Waits.

โ€œThis yearโ€™s record-breaking attendance and ticket sales underscore the extraordinary appetite for bold, international cinema and immersive cultural experiences here in Sonoma,โ€ said SIFF artistic director Carl Spence. โ€œWith packed screenings, dynamic filmmaker engagement, and a festival atmosphere unlike any other, SIFF 2026 has truly been a landmark community celebration of film, food, wine, and fun.โ€

Filmmaker and artist Julian Schnabel was on hand to accept the Sonoma Intl. Film Festival Visionary Artist Award with a screening of his film โ€œIn the Hand of Dante,โ€ with special guest Tom Waits.

Other festival winners include the Special Jury Prize in Directing to Marie-Elsa Sgualdo for โ€œSilent Rebellionโ€ (Switzerland). The jury cited the filmโ€™s โ€œunflinching portrayal of a virtuous teen in WWII era Europe.โ€

The Grand Jury Award for documentary feature prize went to โ€œState of Firsts,โ€ from U.S. helmer Chase Joynt.

โ€œThis year, the jury wants to recognize a film that represents what authentic truth looks like among the squalor of our politics,โ€ said the jury in a statement. โ€œThe award-winning film is a nuanced portrait of leadership and responsibility that also provides a clear and honest account of the challenges and apparent harms that come from seeking to change the world. The language of change is complex, and sometimes itโ€™s as simple as using the right name. The jury is honored to platform a story that showcases the wholeness of a person in an industry and society so quick to tokenizeโ€

SIFF also screened 47 short films in its official selection, which competed for three awards.

โ€œA Very Normal Seeming Man,โ€ directed by Al Pattanashetty (U.S.), won the Grand Jury Award: Live Action Short, while โ€œVoices From the Abyss,โ€ directed by Irving Serrano and Victor Rejon (Mexico) earned the Documentary Short honors. โ€œTwo Black Boys in Paradise,โ€ directed by Baz Sells (U.K.) took the Animated Short prize.

The festival opened with Maude Apatowโ€™s Toronto Intl. Film Festival hit โ€œPoetic License,โ€ while the Centerpiece Film, Steven Soderberghโ€™s Ian McKellen-starrer โ€œThe Christophers,โ€ won the Stolman Audience Award for Best Film. The A3 Audience Award for Best Documentary went to โ€œJane Elliott Against the World,โ€ directed by Judd Ehrlich (U.S.).

Other awards include:

Special Mention for Cultural, Environmental and Community Impact: โ€œAbalone Stories: Loss, Connection, Renewal,โ€ from Cynthia Abbott (U.S.)

Special Jury Mention for Directing: โ€œDomingo Familiar,โ€ directed by Gerardo del Razo (Mexico)

The Christophers

SIFF

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