September 18, 2026
Gaza Documentary ‘NAZA’ Sets U.S. Release Through Self-Distribution


โ€œNAZA,โ€ the acclaimed and controversial documentary about killings in Gaza, has set a distribution rollout for U.S. theaters starting Sept. 30 via an innovative plan that forgoes selling the film to a studio or independent distributor.

The rollout, which kicks off exclusively at the IFC Center in New York City, is โ€œspearheaded by The Guardian and mk2, who have assembled a team of U.S. and international partners and consultants to bring the film to audiences as quickly as possible,โ€ according to a release.

The documentary will expand to Los Angeles and other markets on Oct. 9 and then roll out nationally.

Directed by Yuval Abraham and Rachel Szor, the two Israeli directors of the Oscar-winning documentary โ€œNo Other Land,โ€ โ€œNAZAโ€ won a special jury prize at the recent Venice Film Festival. Its North American premiere is at The New York Film Festival on Sept. 26. โ€œNo Other Landโ€ was released in the U.S. through Cinetic with bookings by Michael Tuckman Media rather than using a traditional distributor.

โ€œNAZAโ€ is produced by The Guardian and James Wilson (JW Films) and executive produced by Jonathan Glazer.

Shot at night on the rooftops of Tel Aviv, โ€œNAZAโ€ reveals in detail the systems behind โ€œIsraelโ€™s calculated mass killing of Palestinian civilians in Gaza,โ€ according to the synopsis. NAZA is the military acronym used by Israeli intelligence to describe the number of civilians that it expects will be killed in an airstrike.

Directors Abraham and Szor said in a statement, โ€œWe made this film out of a sense of obligation to use our position as Israeli filmmakers and journalists to examine the systems behind the mass killing of Palestinian civilians for which our country is responsible. While filming members of Israelโ€™s military on rooftops at night in Tel Aviv over the past three years, we found ourselves asking the very questions that were asked by our grandparentsโ€™ generation and throughout the 20th century: how does one group of people allow the total dehumanisation of another? What do the inner workings of such a system look like? Many of the revelations in the film were published almost immediately as we learned of them, in the months following the October 7th attacks, by The Guardian (one of NAZAโ€™s producers), in collaboration with reporting partners +972 Magazine and Local Call. The film lets us explore something deeper than we could in our investigative journalism alone: not only the words being said but also those that are not said, the silence. It is up to all of us to break that silence.โ€

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